Black can enter the French defence, as a separate opening, on moveone. I believe that seems to be comfortable for him – to have a reliabledefence against 1.е4. The point is however, that chess is becomingmore popular and universal and you should have various weapons inyour opening armour. Still, if you change skilfully your variations insidethe French defence, it may serve you faithfully for Black even if itis your only way to counter 1.e4.According to the generally accepted classification, the French defenceis semi-open. I think it can suit the style both of aggressive tacticalplayers, as well as of the adherents to the patient positional maneuvering.The philosophical justification of the French defence is quite solid.Black complies with the fact that he will fail to compete with Whitefor the dominance of every square on the chessboard, right from thebeginning of the game. On the other hand, he fights fiercely for thecentre and attacks it with undermining pawn-moves like с7-с5 and f7-f6 and exerts piece-pressure with Bf8-b4, Ng8-f6, Nb8-c6, Ng8-e7-f5,Qd8-b6.The arguments pro and against the correctness of the French defencehave begun long ago and continue until now. The main themesare Black’s lack of space and the consequence of that – the fate of hislight-squared bishop, which is severely restricted right on move one.Meanwhile, all “French” players know quite well the rule that sometimes,at the decisive moment of the game, the same “bad” Frenchbishop inflicts the decisive strike, settling the issue.
In this book you will not find the equivocal answer to principledquestions of the type “Can you equalize by playing the French defence?”,or “Can White obtain a convincing advantage after 1...е6?”. Chess is amini-model of life and the same principles are applicable – there aremany questions and no final answers. We have already seen in theFrench defence striking novelties in variations with perfect reputation,as well as rehabilitation of lines long past and forgotten. Accordingly, Ihave decided to present to my readers the French defence – the way Isee and understand it.I believe that chess players of all levels can find in this book somethingnew. It will enable some of you to include the French defence inyour opening repertoire and for some others to enrich your openingknowledge and sharpen the understanding of its ideas.The time has long passed when you could have played the openingonly according to common sense. Therefore, there are many extensiveanalyses of concrete positions in the book and new ideas discovered inthe process of preparation for games and tournaments.This book has been written from the point of view of Black, but thisshould preclude studying it by players who prefer the White side of theFrench defence. It is always useful to know something thoroughly. Itmay happen that a player, who loves the White side against the French,might become an ardent fan of it as Black!Nikita VitiugovSaint-Petersburg, April 2010
The variation: Part 1. White avoids the main lines1.e4 e61 2.b3; 2.f4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 2.d3; 2.Qe2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 2.Nf3 d5 3.Nc3; 3.e5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 2.d4 d5 3.Bd3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235 2.d4 d5 3.exd5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Part 2. The Advance Variation1.e4 e6 2.d4 d5 3.e5 c5 4.c3 Qb6 5.Nf3 Nc66 6.Be2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317 6.Bd3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378 6.a3 Nh6 7.b4 cxd4 8.Bxh6; 8.cxd4 Nf5 9.Be3 . . . . . . . . . . . . . 409 6.a3 Nh6 7.b4 cxd4 8.cxd4 Nf5 9.Bb2 . . . . . . . . . . . . . . . . . . . . 4410 6.a3 Bd7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48Part 3. The Rubinstein Variation1.e4 e6 2.d4 d5 3.Nd2 dxe4 4.Nxe4 Nd711 5.g3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5412 5.Nf3 Ngf6 6.Bg5 h6 7.Nxf6 Nxf6 8.Bd2; 8.Bxf6; 8.Be3 . . . . . . . 5613 5.Nf3 Ngf6 6.Bg5 h6 7.Nxf6 Nxf6 8.Bh4 . . . . . . . . . . . . . . . . . . . 6114 5.Nf3 Ngf6 6.Nxf6 Nxf6 7.g3; 7.Bd3; 7.Be2; 7.Be3 . . . . . . 7115 5.Nf3 Ngf6 6.Nxf6 Nxf6 7.c3 . . . . . . . . . . . . . . . . . . . . . . . . . . 8016 5.Nf3 Ngf6 6.Bd3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 876Part 4. The Morozevich Variation1.e4 e6 2.d4 d5 3.Nd2 Be717 4.с3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10118 4.e5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10319 4.Ngf3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11320 4.Bd3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126Part 5. The Tarrasch Variation with 3...c51.e4 e6 2.d4 d5 3.Nd2 c521 4.c3; 4.exd5 Qxd5 5.dxc5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13622 4.Ngf3 cxd4 5.Nxd4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13923 4.Ngf3 cxd4 5.exd5 Qxd5 6.Bc4 Qd6 7.Bb3; 7.Qe2 . . . . . . . 14624 4.Ngf3 cxd4 5.exd5 Qxd5 6.Bc4 Qd6 7.0-0 . . . . . . . . . . . . . 151Part 6. The Winawer Variation1.e4 e6 2.d4 d5 3.Nс3 Bb425 Various without 4.e5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16326 4.e5 b6; 4...c5 5.Qg4; 5.dxc5; 5.Bd2 . . . . . . . . . . . . . . . . . . 17327 4.e5 c5 5.a3 Bxc3+ 6.bxc3 Ne7 7.Bd3; 7.h4; 7.a4; 7.Nf3 . . . . . 18228 4.e5 c5 5.a3 Bxc3+ 6.bxc3 Ne7 7.Qg4 . . . . . . . . . . . . . . . . . . . . . 189Part 7. The Steinitz Variation1.e4 e6 2.d4 d5 3.Nс3 Nf629 4.Bd3; 4.e5 Nfd7 5.Nce2; 5.Nf3 . . . . . . . . . . . . . . . . . . . . . . . . . . 20530 4.e5 Nfd7 5.f4 c5 6.Nf3 Nc6 7.Be3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
The variation:
Part 1. White avoids the main lines
1.e4 e6
1 2.b3; 2.f4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
2 2.d3; 2.Qe2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
3 2.Nf3 d5 3.Nc3; 3.e5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
4 2.d4 d5 3.Bd3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
5 2.d4 d5 3.exd5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Part 2. The Advance Variation
1.e4 e6 2.d4 d5 3.e5 c5 4.c3 Qb6 5.Nf3 Nc6
6 6.Be2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
7 6.Bd3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
8 6.a3 Nh6 7.b4 cxd4 8.Bxh6; 8.cxd4 Nf5 9.Be3 . . . . . . . . . . . . . 40
9 6.a3 Nh6 7.b4 cxd4 8.cxd4 Nf5 9.Bb2 . . . . . . . . . . . . . . . . . . . . 44
10 6.a3 Bd7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Part 3. The Rubinstein Variation
1.e4 e6 2.d4 d5 3.Nd2 dxe4 4.Nxe4 Nd7
11 5.g3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
12 5.Nf3 Ngf6 6.Bg5 h6 7.Nxf6 Nxf6 8.Bd2; 8.Bxf6; 8.Be3 . . . . . . . 56
13 5.Nf3 Ngf6 6.Bg5 h6 7.Nxf6 Nxf6 8.Bh4 . . . . . . . . . . . . . . . . . . . 61
14 5.Nf3 Ngf6 6.Nxf6 Nxf6 7.g3; 7.Bd3; 7.Be2; 7.Be3 . . . . . . 71
15 5.Nf3 Ngf6 6.Nxf6 Nxf6 7.c3 . . . . . . . . . . . . . . . . . . . . . . . . . . 80
16 5.Nf3 Ngf6 6.Bd3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
6
Part 4. The Morozevich Variation
1.e4 e6 2.d4 d5 3.Nd2 Be7
17 4.с3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
18 4.e5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
19 4.Ngf3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
20 4.Bd3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Part 5. The Tarrasch Variation with 3...c5
1.e4 e6 2.d4 d5 3.Nd2 c5
21 4.c3; 4.exd5 Qxd5 5.dxc5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
22 4.Ngf3 cxd4 5.Nxd4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
23 4.Ngf3 cxd4 5.exd5 Qxd5 6.Bc4 Qd6 7.Bb3; 7.Qe2 . . . . . . . 146
24 4.Ngf3 cxd4 5.exd5 Qxd5 6.Bc4 Qd6 7.0-0 . . . . . . . . . . . . . 151
Part 6. The Winawer Variation
1.e4 e6 2.d4 d5 3.Nс3 Bb4
25 Various without 4.e5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
26 4.e5 b6; 4...c5 5.Qg4; 5.dxc5; 5.Bd2 . . . . . . . . . . . . . . . . . . 173
27 4.e5 c5 5.a3 Bxc3+ 6.bxc3 Ne7 7.Bd3; 7.h4; 7.a4; 7.Nf3 . . . . . 182
28 4.e5 c5 5.a3 Bxc3+ 6.bxc3 Ne7 7.Qg4 . . . . . . . . . . . . . . . . . . . . . 189
Part 7. The Steinitz Variation
1.e4 e6 2.d4 d5 3.Nс3 Nf6
29 4.Bd3; 4.e5 Nfd7 5.Nce2; 5.Nf3 . . . . . . . . . . . . . . . . . . . . . . . . . . 205
30 4.e5 Nfd7 5.f4 c5 6.Nf3 Nc6 7.Be3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217